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8 January 1836 – 25 June 1912. Most renowned painters.

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TISCHBEIN, Johann Heinrich Wilhelm
Goethe in the Roman Campagna

ID: 40617

TISCHBEIN, Johann Heinrich Wilhelm Goethe in the Roman Campagna
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TISCHBEIN, Johann Heinrich Wilhelm Goethe in the Roman Campagna


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TISCHBEIN, Johann Heinrich Wilhelm

German Painter, 1751-1829  Related Paintings of TISCHBEIN, Johann Heinrich Wilhelm :. | Portrait of Mary of Great Britain | Portrat der Familie Saltykowa | Goethe in The Roman Campagna iuh | Portrait of Christian Gottlob Heyne | Goethe in the Roman Campagna |
Related Artists:
Li Ti
1110-97
Wolfgang Heimbach
c.1600/1615-after 1678, German painter. The son of a bookkeeper at the corn exchange, he was known because of a disability as 'the Ovelg?nne mute'. An aristocratic sponsor, probably Graf Anton G?nther (1603-67) of Oldenburg, sent him to train in the Netherlands: stylistic considerations would suggest that this was in the 1630s. The Evening Scene (1637; ex-art market, Berlin; G?ttsche, no. 8) shows him adapting the style of Caravaggio as practised in Utrecht to the kind of social gathering depicted by Dirck Hals or Anthonie Palamedesz. He uses an artificial light source to exaggerate the modelling of the figures and the space. This characteristic of his art also shows in the Evening Banquet of 1640
ROSSELLI, Cosimo
Italian Early Renaissance Painter, 1439-1507 Painter. He was documented in Neri di Bicci's workshop between May 1453 and October 1456; in 1459 he received his first known commission, for an altarpiece in Santa Tr?nita, Florence (untraced). It is thought that he subsequently worked with Benozzo Gozzoli, whose influence is evident in his early work, but Cosimo was receptive to the styles of almost all his more gifted contemporaries, including Alesso Baldovinetti (said by Baldinucci to have been his master), Andrea del Verrocchio and the Pollaiuolo brothers. Cosimo's first surviving works of importance are the frescoes in the style of Baldovinetti in the Salutati Chapel, Fiesole Cathedral, datable to between 1462 and 1466, but these are heavily restored.






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